Thursday, March 21, 2013

Blog Post #4: Mis-En-Scene Analysis

The setting and props are a bit exaggerated but still effectively realistic if the audience views the clip from an unbiased viewpoint. I feel that the dominant element is the behavior of the figures such as the fairies and especially the Child Eating Pale Man. I say this because the fluent movements of the fairies give them an element of grace and wisdom while the clunky and twisted movements of the Child Eating Pale Man on top of the excellent costume gives him an otherworldly feel. The three main colors in this film are red, orange-yellow, and black. It gives the room a cozy yet daunting feeling. The shapes that make up the room gives me the feeling that the protagonist is in a dungeon somewhere with the Child Eating Pale Man as a guardian of the dungeon. The size between the protagonist, her allied fairies, and the Child Eating Pale Man give the feeling that the protagonist and her allies are powerless against the other-worldly creature. This scene is able to blend the elements really well to give the film a borderline realistic yet impossible feeling through the use of creative music, props, costumes, character behavior and lighting.

1. I feel the setting was done really well to contrast a cozy room with the daunting Child Eating Pale Man sitting at the head of the table guarding the extravagant feast. The props send a really strong message, especially the large piles of shoes which shed light on the number of past victims of the Child Eating Pale Man.
2. The lighting is a bit weird for a scary scene in my opinion because the light reveals nearly every part of the room. Traditional horror films aren't done this way because the darkness offers a shroud of mystery which keeps the audience guessing where and when the scary surprise is going to show up but this film reveals the antagonist and puts him in plain sight of the audience. The author did this really cleverly by showing the audience where and what the threat is but not revealing when it will present itself. The Child Eating Pale Man gives me the vibe of a guardian in a sense. He sits at the head of the table watching the food until the protagonist plucks a grape off the feast and eats it. I believe the feast is a trap for the innocent and immature children who suffers from the deadly sins of gluttony and/or greed. At that moment, the antagonist begins to comes to life and presents itself as the danger that the audience has been waiting for.
3. The costumes were well done in my opinion especially the costume of the Child Eating Pale Man. The protagonist's costume suggests an aura of innocence and a lack of wisdom while the Child Eating Pale Man's flabby skin and uniquely gruesome features show the audience that he used to be gluttonous but due to not having food (victims) in a while, his fat has been lost and what remains is the flabby skin that used to hold all of the fat.
4. The sound in this clip is all diegetic. Every sound from the protagonist opening the locket to the scraping of the Child Eating Pale Man's fingers on the table is extremely realistic.
5. The behavior of the characters, especially the  Child Eating Pale Man is what creates realism for this film. The lack of wisdom and innocence that the protagonist exhibits during this film is often seen in horror films. The protagonist's disregard of the warnings that the wise fairies give causes a chain of unfortunate events to occur is classic. The odd and clunky movements and the visual characteristics of the Child Eating Pale Man suggests to the audience that he has been sitting in that room for an long period of time and that he is other-worldly. The movements of this character is fast enough to make the audience worry about the protagonist but slow enough to give the audience a dim ray of hope that the protagonist will survive.

1 comment:

  1. Great comments about the gluttony and greed. :-) In the section on behavior of characters, you do need to discuss the camera angles, as it creates meaning. We see the behavior of the characters through the angles.

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